On April 8, Duchess Sophie stepped out for a royal event alongside her husband Prince Edward. She wore a stylish light blue dress with a subtle texture and a modest high neckline. It flowed down, with the hemline close to the ankles, offering a glimpse of her pointed-toe heels.

She draped a long, flowing, pale coat over her dress. The double-breasted overcoat complimented her dress, its oversized fit adding to her ensemble. She also accessorized her outfit with a dark, emerald green clutch that added a pop of color. Her hair was in a neat updo, and she carried a pleasant smile on her face.

Her outfit sparked mixed reactions from observers. Some thought the dress was gorgeous, while others felt it did not suit the event. One comment read, “The Duchess looks stunning. The cut of that dress is beautiful.”

An observer with a differing opinion wrote, “Omg…she looked like she was just ducking down to the supermarket in that dowdy outfit!”

Another challenged her royal bearing, quipping, “Edward and Sophie looking ‘regal’?! LOLz. 😄 You see people looking more regal than the Duke and Duchess of Edinburgh at your local cocktail party! Smart? Yes. Regal? Definitely not. Perhaps wear a hat at least Sophes?“

However, some scrutinized specific elements of the attire. “I think the Coat needed to be done up or discarded, the dress is divine, but, unfortunately, the coat is covering the best part,” wrote one person.

Another suggested a different approach, “I love her outfit but feel she should have chosen something sharper. She looks a bit casual for this event, IMO.“

The Duchess attended the 120th anniversary of the Entente Cordiale to commemorate a milestone in British and French history. Sophie and her husband, the Duke of Edinburgh, stood in for King Charles, who was absent from Royal duties.

The Duchess’s attire reflects the many times the royals have shown their sense of style. Like her sister-in-law, Princess Anne’s unique choice of attire for this year’s Easter holiday divided opinions, as reported on April 1, 2024.

In the grand tradition of royal Easter celebrations, Princess Anne, 73, captured the public’s gaze and ignited a flurry of online commentary with her appearance at the Easter Mattins Service at St George’s Chapel, alongside the King and Queen of England and the Duke and Duchess of Edinburgh.

For the occasion, the Princess wore a striking mint green coat, elegantly accessorized with a brooch on the collar, brown leather gloves, and distinctive brown suede boots with tassel adornments. She completed the ensemble with a unique dark green hat with black fluffy detailing, a brown purse, and red lipstick.

The choice of attire has stirred a mix of reactions among royal watchers and fashion commentators. “Actually, she looks a bit rough, and the hat doesn’t really match,” asserted a user, while another expressed, “The green is NOT flattering. Quite the opposite. Looks like the grim reaper’s grandmother […] Shameful.”

Further criticisms followed, with someone else commenting, “She is so old fashioned [and] looks years older than her age. Dated hairstyle and frumpy. Could do with a makeover.” Another added, “The color is awful. It looks like a factory worker uniform from the 1950s.”

Conversely, others complimented Princess Anne’s distinctive look and praised her as a person. One fan wrote, “Very elegant,” and another gushed, “Princess Anne at Easter💚 Loving her hat & those boots!👢❤️.”

Another enthusiast admired, “The smile, the hat… Princess Anne is absolutely adorable. A great look ❤️ Happy Easter!” Someone else swooned, “Oh sweet Princess Anne!! I just love her!! She’s adorable!! And I love the mint green & brown. And I love her brooch placement on her collar today!! 💚”

Beyond the immediate reactions to her fashion, Princess Anne’s demeanor at the event spoke volumes about her role within the royal family. Amid the King’s ongoing health challenge, Princess Anne and her brother Prince Edward’s presence was a testament to their unwavering support.

Body language expert Judi James highlighted the Princess’s protective nature towards her brother, King Charles III, noting the royal family’s message of “resilience, unity, and upbeat strength.”

Her warm smile and engaging demeanor with the public and her husband, Vice Admiral Sir Timothy Laurence, radiated a sense of warmth, thankfulness, and reassurance amid her family’s recent health woes.

Drawing back to what she chose to wear for the service, Princess Anne’s fashion choices reflect her personal taste and lifelong commitment to her public role. Known for her practical approach to wardrobe management, she has been an advocate for sustainability long before it became a global trend.

Her fashion highlights timeless elegance, an appreciation for fine craftsmanship, and the value of re-wearing and recycling garments.

The avid equestrian—a penchant she shares with her late mother, Queen Elizabeth II—who is known for supporting charities like Riders for Health, the Horse Trust, and World Horse Welfare, adopts a practical yet elegant style, embodying a blend of royal duty and personal passion.

Edward Enninful, editor of British Vogue, once described her as a “true style icon,” praising her timeless fashion sense and her ability to wear a tailored suit better than anyone else he could think of.

He also previously highlighted her foresight in sustainable fashion, citing, “Princess Anne […] was all about sustainable fashion before the rest of us really knew what that meant.”

Princess Anne’s Easter appearance, with its vintage charm and the varied responses it elicited, stands as a focal point for discussions on royal fashion, sustainability, and the evolving expectations of modern royalty.

While opinions on her outfit may vary, the underlying narrative of resilience, support, and timeless elegance remains a testament to her enduring influence within the royal family and her commitment to a life of public service.

Joining Princess Anne at the recent Easter service event was Queen Camila, who was previously spotted in an outfit that garnered strong reactions from social media users, as we previously reported on March 29, 2024.

In a fashion statement that has since lit up social media platforms, Queen Camilla, 76, made headlines and spurred discussions with her latest public appearance. Stepping in for her husband, King Charles III, the Queen of England attended a significant event at Worcester Cathedral.

While there, she partook in the traditional presentation of Maundy Money to 150 individuals in recognition of their service to local communities. However, it was not just the ceremony that captured public attention; it was Queen Camilla’s choice of attire that became the center of conversation.

Clad in a leopard print chiffon dress covered by a cream cashmere coat—both designed by Fiona Clare—Queen Camilla’s ensemble was the epitome of royal grace mixed with contemporary fashion sense.

The outfit was complemented by £195 dressage knee-high suede boots from Russell & Bromley. As described online, the boots are an elegant iteration of the popular equestrian-inspired knee-high boot, crafted in Italy from the finest smooth camel suede.

These boots—characterized by their sleek style, subtle stitched seam, soft almond toe, and suede-wrapped block heel—underscored a sense of regal sophistication.

Adding to her ensemble, the Queen donned a furry hat from Lock & Co. and wore two gold and sapphire flower brooches pinned on each side of her coat’s collar, heirlooms that once belonged to the late Queen Elizabeth II.

Her attire was rounded off with dark brown leather gloves and a dark-colored, stylish Moynat handbag, retailing at $3,500 in Sotheby’s online store.

As images and videos of the Queen at the event circulated online, users voiced their opinions. Many were unimpressed, expressing their dislike for what she wore. One user criticized, “She is soo thrifty.. Buy a new hat,” while another exasperatedly stated, “Why does she always spoil her outfit with BOOTS!”

Another pondered, “Why does she wear the same hat (sometimes a different color)???” and someone else even went so far as to deem her “the bag lady.” However, some people complimented Queen Camilla’s style. One fan praised, “Love the ensemble” and another gushed, “The Queen looked fabulous.”

Despite the fashion furor and commentary, what remains a focal point of the story is the significance of the event. The official Instagram page for the King and Queen of England shed light on the contextual background of the special occasion.

In a caption from the pictures of the event, they explained, “Maundy Thursday commemorates Jesus sharing the Last Supper with his disciples and commanding them to ‘Love one another as I have loved you.’ The tradition of the Monarch or their representative presenting alms on Maundy Thursday goes back to 1213.”

From the mixed reactions sparked by her fashion choices, it’s clear that Queen Camilla’s style, whether lauded or criticized, remains an undeniable aspect of how she is viewed by the public, which then draws attention back to the evolving image of the British monarchy.

Before attending the event at Worcester Cathedral, Queen Camilla was seen at a farmer’s market in Shrewsbury. While there, she spoke about the cancer-stricken Kate Middleton for the first time, as we previously reported on March 28, 2024.

At a quaint farmer’s market in Shrewsbury, Queen Camilla, aged 76, embarked on a visit that would leave an indelible mark on the hearts of many.

The Queen Consort, greeted with the warmth and admiration that accompanies her title, navigated through the market, an event that turned into much more than a mere public appearance.

Among the sea of signs and well-wishers, a particularly poignant moment unfolded as Queen Camilla approached a group of young girls, their hands clasping signs that bore messages of love and support for Princess Catherine, who has been battling cancer.

As she strolled amongst the stalls, her presence ignited a fervor among those gathered, with fans eagerly holding up signs, their messages a blend of welcome and goodwill. The air buzzed with the sound of voices calling out to the Queen Consort as she wandered through the market.

Among them was a young girl, her sign simple yet powerful, reading, “Send our love to Kate.” This touching display led to Queen Camilla speaking directly to the girls.

The Queen Consort, embodying grace and compassion, engaged with the group, ensuring that their heartfelt messages would reach Princess Catherine.

Queen Camilla remarked that Princess Catherine would be “thrilled” with the signs, a statement that not only acknowledged their efforts but also bridged the gap between the royal family and the public.

Taking the signs from the group, she promised to deliver them to Princess Catherine. The girls were sisters Lois, six, and Harriet, ten.

The promise to transport their letters “carefully” for the Princess was made amidst apologies from Harriet about the cards’ slightly creased condition, a result of the day’s blustery wind.

“I’ll take them carefully and will make sure she knows they’re coming,” the Queen responded, her voice carrying the weight of assurance and comfort.

Following this encounter, Harriet shared, “We heard the news and I wanted to hold the poster up to show my love to Kate.” Lucy Waterston, the mother of the two girls, expressed her surprise and gratitude towards the Queen’s gesture, highlighting the unexpected but cherished interaction.

This recent unfolding of events sheds light not only on the public’s unwavering support for Princess Catherine in her battle with cancer but also on the evolving relationships within the royal family.

Ingrid Seward, a royal expert and the editor of Majesty Magazine, provided exclusive insights to the Mirror, revealing the deepening bond between Queen Camilla and Prince William against the backdrop of this adversity.

“Camilla is as stoic as she is forgiving,” Seward noted, emphasizing the Queen Consort’s capacity for compassion and resilience. The diagnosis of Princess Catherine’s illness has served as a catalyst, bringing her closer to William, who had harbored intense disapproval of Queen Camilla in the past.